108 project, 2006
From Project 108
1 Point. Impulse. Beginning.
0 Void. Potentiality. Vacuum.
8 Variety. Infinity. Parallelism.
108 Fusion and Continuity
One of the key themes explored in project 108 is the idea of interaction between different levels of consciousness. The nature of the potential realities permeates our entire being. Realisation of this is the aim of the conscious activity of a human being through the practice of creative experience.
The structure of project 108 enables the viewer to «switch in» the multi-dimensional vision. Photographs are the imprints of the coordinates of the spatiotemporal field. By moving through them we can identify ourselves with these visions and through them experience multiplicity of forms. The intuitive approach of organising the structures of the images echoes the idea of being in a transitory state. The interpenetrating images, like projections of consciousness hovering in space, are only relatively stable, or static, only to the extent of the state of the viewer at the moment of contemplation.
The use of the particular printing techniques, technologies and methods is dictated by the need to adequately translate an idea in the material. The technology and the material are not dominating in this process, they are visualisation means creating a pretext for blending the abstract and the concrete into a single view, both concentrating and relaxing the eye.
108 - We are the cosmos, which we are unable to explain.
Evgenia Emets, 2006
The structure of project 108 enables the viewer to «switch in» the multi-dimensional vision. Photographs are the imprints of the coordinates of the spatiotemporal field. By moving through them we can identify ourselves with these visions and through them experience multiplicity of forms. The intuitive approach of organising the structures of the images echoes the idea of being in a transitory state. The interpenetrating images, like projections of consciousness hovering in space, are only relatively stable, or static, only to the extent of the state of the viewer at the moment of contemplation.
The use of the particular printing techniques, technologies and methods is dictated by the need to adequately translate an idea in the material. The technology and the material are not dominating in this process, they are visualisation means creating a pretext for blending the abstract and the concrete into a single view, both concentrating and relaxing the eye.
108 - We are the cosmos, which we are unable to explain.
Evgenia Emets, 2006
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